in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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Brehmer, KP & Hödicke, Karl Horst & Hutchinson, Peter & Köpcke, Arthur & Polke, Sigmar & Vostell, Wolf & Beuys, Joseph Weekend 1971/1972 Koffer (schwarz) mit Deckblatt, Drucken und 2 Objekten von 7 verschiedenen Künstlern Köln, Museum Ludwig, Grafische Sammlung, Inv.-Nr. ML 76/SK 0290/1-8, ML/G 1972/SK 290/001-007, Überweisung Wallraf-Richartz-Museum 1976 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. © VG Bild-Kunst, Bonn 2023 (Vor der Nutzung eines Fotos dieses Werkes muss eine Anfrage bei der VG Bild-Kunst erfolgen.) ProvenanceFurther information• Circulation: 95 CommentarySchwarzer Koffer (Sperrholz mit Büchertuch aufgezogen); 95 Exemplare; Edition Nr. 32 (auf Deckblatt gedruckt) mit Deckblatt auf weißem Karton Related partnershipsVerleger: Edition René Block, Berlin |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object TV- Braunfarben, Testbild 1-5 (zur Feststellung Faschistischer Tendenzen) 5 Klischeedrucke auf Karton , je 48 x 62 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/1/1-5, ML/G 1972/SK 290/001/01-05
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, Rückseite: 19/95 Brehmer Further information• Circulation: 19 out of 95 • 5 (Blatt), 1 (Mappe) CommentaryFünf Drucke in olivbrauner Büttenmappe. Unter dem Titel Weekend in einem Koffer zusammengefaßt mit
den anderen Werken. |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object verschiedene Drucke 1972 Papier, Siebdruck Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/2/1-4, ML/G 1972/SK 290/002/01-04
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Further information• 4 (Blatt) CommentaryFünf Siebdrucke in altrosafarbiger dünner Büttenmappe. Unter dem Titel Weekend in einem Koffer zusammengefaßt mit
den anderen Werken. |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Original + Fälschung, 1972 Siebdruck auf Papier , 96 x 63 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/2/1, ML/G 1972/SK 290/002/01
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, unten (rechts): Hödicke 72 Further information• Circulation: 19 out of 95 |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object wo sind Hammer und Sichel?, 1972 Siebdruck auf grüngrauem Bütten , 62,5 x 48 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/2/2, ML/G 1972/SK 290/002/02
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, unten (rechts): Hödicke 72 Further information• Circulation: 19 out of 75 |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Wo ist der Maler?, 1972 Siebdruck auf hellbraunem Bütten , 48 x 62,5 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/2/3, ML/G 1972/SK 290/002/03
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, unten (rechts): Hödicke 72 Further information• Circulation: 19 out of 95 |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Wo ist der Elefant?, 1972 Siebdruck auf hellbraunem Bütten , 48 x 62,5 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/2/4, ML/G 1972/SK 290/002/04
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, unten (rechts): Hödicke 72 Further information• Circulation: 19 out of 95 |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Chess Documentation Number 10 Offsetlithographie auf Karton , 62 x 46 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/3, ML/G 1972/SK 290/003
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, unten (rechts): Peter Hutchinson 72 Further information• Circulation: 19 out of 95 • 1 (Blatt), 1 (Mappe) |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object verschiedene Drucke Siebdruck auf Karton , je 62 x 48 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/4/1-2, ML/G 1972/SK 290/004/01-02
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Further information• 2 (Blatt), 1 (Mappe) CommentaryZwei Siebdrucke in beigefarbiger dünner Büttenmappe. Unter dem Titel Weekend in einem Koffer zusammengefaßt mit
den anderen Werken. |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object from inside, [Glashaus von innen] 1972 Siebdruck auf Karton , 62 x 48 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/4/1, ML/G 1972/SK 290/004/01
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, unten (rechts): A Köpcke 19/95 Further information• Circulation: 19 out of 95 |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object from outside, [Glashaus von außen] 1972 Siebdruck auf Karton , 62 x 48 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/4/2, ML/G 1972/SK 290/004/02
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, unten (rechts): A Köpcke 19/95 Further information• Circulation: 19 out of 95 |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Weekend I, II, III, [] 1971 Offsetlithographie auf Karton , je 46 x 62 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/5/1-3, ML/G 1972/SK 290/005/01-03
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Further information• 3 (Blatt), 1 (Mappe) CommentaryDrei Offsetlithographien in gelbfarbener dünner Büttenmappe. Unter dem Titel Weekend in einem Koffer zusammengefaßt mit
den anderen Werken. Related objectZusammenhang: Sigmar Polke, Weekend I, II, III, DruckSigmar Polke, Weekend I, II, III, Druck(obj 05058015 ) |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Weekend I 1971 Offsetlithographie auf Karton , 46 x 62 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/5/1, ML/G 1972/SK 290/005/01
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, unten (rechts): S. Polke 71 Further information• Circulation: 19 out of 95 Related objectZusammenhang: Sigmar Polke, Weekend I, Dep. KML. 2009/021/01 (obj 05058016) |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Weekend II 1971 Offsetlithographie auf Karton , 46 x 62 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/5/2, ML/G 1972/SK 290/005/02
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, unten (rechts): S. Polke 71 Further information• Circulation: 19 out of 95 Related objectZusammenhang: Sigmar Polke, Weekend II, Dep. KML. 2009/021/02 (obj 05058017) |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Weekend III 1971 Offsetlithographie auf Karton , 46 x 62 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/5/3, ML/G 1972/SK 290/005/03
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, unten (rechts): S. Polke 71 Further information• Circulation: 19 out of 95 Related objectZusammenhang: Sigmar Polke, Weekend III, Dep. KML. 2009/021/03 (obj 05058018) |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object verschiedene Drucke Karton, Siebdruck , je 48 x 62,5 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/6/1-3, ML/G 1972/SK 290/006/01-03
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Further information• 3 (Blatt) CommentaryDrei Siebdrucke in hellgelbfarbener dünner Büttenmappe. Unter dem Titel "Weekend" in einem Koffer zusammengefaßt mit den anderen Werken. |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Neujahrsansprache I, 1972 Siebdruck auf Karton mit Glitzer , 48 x 62,5 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/6/1, ML/G 1972/SK 290/006/01
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, unten (rechts): Wolf Vostell Further information• Circulation: 19 out of 95 |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Neujahrsansprache II, 1972 Siebdruck auf Karton mit Glitzer , 48 x 62,5 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/6/2, ML/G 1972/SK 290/006/02
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, unten (rechts): Wolf Vostell Further information• Circulation: 19 out of 95 |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object TV-Ochse II, 1972 Siebdruck auf Karton , 48 x 62,5 cm Köln, Museum Ludwig, Inv.-Nr. ML 76/SK 0290/6/3, ML/G 1972/SK 290/006/03
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, unten (rechts): Wolf Vostell Further information• Circulation: 19 out of 95 |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Ich kenne kein Weekend 1971/1972 Maggi-Würze-Flasche, ein Buch von Immanuel Kant: Kritik der reinen Vernunft, Reclam, Stuttgart 1970 im Koffer-Deckel (Innenseite) angebracht mittels Klammern und 2 Gummibändern (breit) Köln, Museum Ludwig, Grafische Sammlung, Inv.-Nr. ML 76/SK 0290/7/1-2, ML/G 1972/SK 290/007, Überweisung Wallraf-Richartz-Museum
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionSignatur, im Buch (Titelblatt): Joseph Beuys CommentaryDie Arbeit besteht aus einer Maggi-Würze-Flasche und einem Buch Immanuel Kant: Kritik der reinen Vernunft, Reclam, Stuttgart 1970 im Koffer-Deckel (Innenseite) angebracht mittels Klammern und 2 Gummibändern (breit). |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Koffer 1971/1972 Koffer , Höhe: 66 cm, Breite: 53 cm, Tiefe: 10 cm Köln, Museum Ludwig, Grafische Sammlung, Inv.-Nr. ML 76/SK 0290/8, Überweisung Wallraf-Richartz-Museum
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. InscriptionAufkleber, Koffer (außen): Wallraf-Richartz-Museum Inventar 1925 Nr. SK 290/1-8 Further information• Circulation: 32 out of 95 |
Permalink: https://museum-ludwig.kulturelles-erbe-koeln.de/documents/obj/05024372
Dok-Nr.: obj 05024372
- Universitäts- und Stadtbibliothek Köln
- Brehmer, KP & Hödicke, Karl Horst & Hutchinson, Peter & Köpcke, Arthur & Polke, Sigmar & Vostell, Wolf & Beuys, Joseph
- Brehmer, KP
- Hödicke, Karl Horst
- Hutchinson, Peter
- Köpcke, Arthur
- Polke, Sigmar
- Vostell, Wolf
- Beuys, Joseph Heinrich
- Kunst- und Museumsbibliothek
- Brehmer, KP & Hödicke, Karl Horst & Hutchinson, Peter & Köpcke, Arthur & Polke, Sigmar & Vostell, Wolf & Beuys, Joseph
- Brehmer, KP
- Hödicke, Karl Horst
- Hutchinson, Peter
- Köpcke, Arthur
- Polke, Sigmar
- Vostell, Wolf
- Beuys, Joseph Heinrich