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Atheniensische Alterthümer, 1854 Album mit Salzpapierabzügen und Textblättern auf Karton , 44,0 x 62,5 cm (Album), Tiefe: 2,0 cm Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04377-FH 04418, FH 12738-FH 12741, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceLiteratureOppenheim, Felix Alexander, Köln 2020 Hide Felix Alexander Oppenheim. Reisender Fotograf in Athen, 1853. Eine Spurensucheedited by Miriam Szwast edited by Museum Ludwig, Köln (= Sammlung Fotografie / Museum Ludwig) Köln 2020 Facts/Tatsachen, Köln 2006, S. 99 ExhibitionsOppenheim, Felix Alexander, Köln 2020 Hide Stille Ruinen. F. A. Oppenheim fotografiert die Antike 15.02.2020-14.06.2020 Köln, Museum Ludwig, Sammlung Fotografie InscriptionAufkleber, Deckblatt, unten links: 1746 Further information• 1 (Einband), 2 (Textblatt), 42 (Salzpapierabzug) • Verlagsort: Dresden, Aufnahmeort: Griechenland Related partnershipsDruck & Verlag: Königliche Hofdruckerei von C. C. Meinhold und Söhne |
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part of the object Albumeinband Einband, 43,5 x 62 cm, Tiefe: 2,8 cm Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 12738, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Rücken des Einbandes: Atheniensische / Alterthümer / Photographisch / aufgenommen / von / Oppenheim |
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part of the object 1. Heft: Die Akropolis Heft mit Textblatt und 16 Salzpapierfotografien auf Karton , 42,2 x 61,5 cm (Bild), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 12739/1-2, FH 12741, FH 04377-FH 04392, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceFurther information• 1 (Textblatt), 16 (Foto) Related partnershipsDruck & Verlag: Königliche Hofdruckerei von C. C. Meinhold und Söhne |
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part of the object Titelblatt zu Atheniensische Alterthümer Papier , 42,7 x 61,2 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 12741, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, ganzformatig: ATHENIENSISCHE ALTERTHÜMER. / IM HERBST 1853 / PHOTOGRAPHISCH AUFGENOMMEN / VON / A.F. OPPENHEIM / I. HEFT: DIE AKROPOLIS. / DRESDEN, 1854. / DRUCK DER KÖNIGL. HOFBUCHDRUCKEREI VON C.C. MEINHOLD UND SÖHNE |
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part of the object Die Akropolis, 1853 Papier , 42,7 x 61,2 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 12739/1-2, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorder- und Rückseite, jeweils zwei Spalten: DIE AKROPOLIS. [...] |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Die Akropolis von der Pnyx aus gesehn, 1853 Salzpapier auf Karton , 23,8 x 33,4 cm (Bild), 42,8 x 61,4 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04377, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: DIE AKROPOLIS / von der Phyx aus gesehn Further information• Aufnahmeort: Athen • Ikonographische Gattung: Landschaftsfotografie & Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Die Propylaeen, äußere Ansicht, 1853 Salzpapier auf Karton , 20,4 x 25,3 cm (Bild), 42,8 x 61,4 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04378, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: DIE PROPYLAEEN / äußere Ansicht Further information• Aufnahmeort: Athen • Formtyp: Die Ecken des Salzpapiers sind abgerundet • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Die Propylaeen, innere Ansicht, 1853 Salzpapier auf Karton , 24,6 x 34,1 cm (Bild), 43,0 x 61,4 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04379, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: DIE PROPYLAEEN / Innere Ansicht Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Der Parthenon, nördliche Seite und westliche Front, 1853 Salzpapier auf Karton , 23,4 x 31,2 cm (Bild), 42,9 x 61,4 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04380, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: DER PARTHENON / nördliche Seite und westliche Front Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Der Parthenon, westliche Front, 1853 Salzpapier auf Karton , 24,9 x 33,1 cm (Bild), 42,9 x 61,4 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04381, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: DER PARTHENON / westliche Front Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Der Parthenon, innere Ansicht, 1853 Salzpapier auf Karton , 17,6 x 24,9 cm (Bild), 42,9 x 61,4 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04382, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: DER PARTHENON / Innere Ansicht Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Der Parthenon, innere Ansicht, 1853 Salzpapier auf Karton , 26,2 x 34,1 cm (Bild), 42,9 x 61,4 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04383, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: DER PARTHENON / Innere Ansicht Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Der Parthenon, innere Ansicht, 1853 Salzpapier auf Karton , 20,7 x 26,3 cm (Bild), 42,9 x 61,4 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04384, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: DER PARTHENON / Innere Ansicht Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Der Parthenon, östliche Front, 1853 Salzpapier auf Karton , 25,1 x 33,7 cm (Bild), 42,9 x 61,3 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04385, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: DER PARTHENON / östliche Front Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Der Parthenon, östliche Front und südliche Seite, 1853 Salzpapier auf Karton , 24,6 x 34,0 cm (Bild), 42,9 x 61,3 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04386, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: DER PARTHENON / östliche Front und südliche Seite Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Das Erechtheion, östliche Ansicht, 1853 Salzpapier auf Karton , 25,0 x 33,7 cm (Bild), 42,9 x 61,3 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04387, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: DAS ERECHTHEION / östliche Ansicht Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Das Erechtheion, südliche Ansicht, 1853 Salzpapier auf Karton , 25,3 x 34,0 cm (Bild), 42,9 x 61,4 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04388, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: DAS ERECHTHEION / südliche Ansicht Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Die Karyatiden, 1853 Salzpapier auf Karton , 23,6 x 32,3 cm (Bild), 42,9 x 61,3 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04389, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: DIE KARYATIDEN Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Das Erechtheion, westliche Ansicht, 1853 Salzpapier auf Karton , 24,3 x 34,4 cm (Bild), 42,9 x 61,3 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04390, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: DAS ERECHTHEION / westliche Ansicht Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Tempel der Nike Apteros, nördliche Seite und östliche Front, 1853 Salzpapier auf Karton , 21,0 x 25,2 cm (Bild), 42,9 x 61,3 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04391, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: TEMPEL DER NIKE APTEROS / nördliche Seite und östliche Front Further information• Aufnahmeort: Athen • Formtyp: Die Ecken des Salzpapiers sind abgerundet • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Tempel der Nike Apteros, östliche Front und südliche Seite, 1853 Salzpapier auf Karton , 21,6 x 25,3 cm (Bild), 42,9 x 61,4 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04392, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: TEMPEL DER NIKE APTEROS / östliche Front und südliche Seite Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie Related objectBeziehung zu: (obj 05119251,T,002,T,018) |
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part of the object 2. Heft: Details der Akropolis Heft mit Textblatt und 16 Salzpapierfotografien auf Karton Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 12740/1-2, FH 04393-FH 04418, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceFurther information• 1 (Textblatt), 16 (Foto) Related partnershipsDruck & Verlag: Königliche Hofdruckerei von C. C. Meinhold und Söhne |
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part of the object Details der Akropolis, 1853 Papier , 42,7 x 61,2 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 12740/1-2, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorder- und Rückseite, jeweils zwei Spalten: DETAILS DER AKROPOLIS. [...] |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Verschiedene Ornamente, 1853 Salzpapier auf Karton , 26,1 x 31,3 cm (Bild), 42,8 x 61,3 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04393, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: VERSCHIEDENE ORNAMENTE Further information• Aufnahmeort: Athen • Formtyp: Das Salzpapier ist oval • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Kapitael, 1853 Salzpapier auf Karton , 14,7 x 22,0 cm (Bild), 42,8 x 61,3 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04394, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: KAPITAEL Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Kapitael, 1853 Salzpapier auf Karton , 13,6 x 19,5 cm (Bild), 42,8 x 61,3 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04395, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: KAPITAEL Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Fries des Parthenon, 1853 Salzpapier auf Karton , 14,5 x 18,8 cm (Bild), 42,8 x 61,3 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04396, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: FRIES DES PARTHENON Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Fries des Parthenon, 1853 Salzpapier auf Karton , 19,5 x 20,7 cm (Bild), 42,8 x 61,3 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04397, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: FRIES DES PARTHENON Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Fries des Parthenon, 1853 Salzpapier auf Karton , 18,4 x 20,9 cm (Bild), 42,8 x 61,3 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04398, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: FRIES DES PARTHENON Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Fries des Parthenon, 1853 Salzpapier auf Karton , 18,9 x 17,8 cm (Bild), 42,8 x 61,3 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04399, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: FRIES DES PARTHENON Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Fries des Parthenon, 1853 Salzpapier auf Karton , 14,9 x 17,5 cm (Bild), 42,8 x 61,3 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04400, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: FRIES DES PARTHENON Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Fries des Parthenon, 1853 Salzpapier auf Karton , 17,0 x 19,4 cm (Bild), 42,8 x 61,3 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04401, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: FRIES DES PARTHENON Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Fries des Parthenon, 1853 Salzpapier auf Karton , 23,1 x 14,1 cm (Bild), 61,3 x 42,8 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04402, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: FRIES DES PARTHENON Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Fries des Parthenon, 1853 Salzpapier auf Karton , 17,8 x 21,6 cm (Bild), 42,8 x 61,3 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04403, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: FRIES DES PARTHENON Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Fries des Parthenon, 1853 Salzpapier auf Karton , 17,7 x 20,6 cm (Bild), 42,8 x 61,3 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04404, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: FRIES DES PARTHENON Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Fries des Parthenon, 1853 Salzpapier auf Karton , 15,5 x 18,4 cm (Bild), 42,8 x 61,3 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04405, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: FRIES DES PARTHENON Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Fries des Parthenon, 1853 Salzpapier auf Karton , 14,9 x 18,2 cm (Bild), 42,8 x 61,3 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04406, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: FRIES DES PARTHENON Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Fries des Parthenon, 1853 Salzpapier auf Karton , 24,4 x 26,3 cm (Bild), 42,9 x 61,4 cm (Blatt), Passepartoutformat: B-Format (quer) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04407, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: FRIES DES PARTHENON Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Halbe weibliche Figur, 1853 Salzpapier auf Karton , 21,7 x 12,2 cm (Bild), 61,4 x 42,9 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04408, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: HALBE WEIBLICHE FIGUR Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Nike mit dem Stier, 1853 Salzpapier auf Karton , 19,1 x 19,4 cm (Bild), 61,4 x 42,9 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04409, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: NIKE / mit dem Stier Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Nike mit der Sandale, 1853 Salzpapier auf Karton , 22,6 x 12,3 cm (Bild), 61,2 x 42,9 cm (Blatt), Passepartoutformat: B-Format (hoch) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04410, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: NIKE. / mit der Sandale Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie CommentaryDetails zum Motiv: Tempel der Athena Nike. Die sandalenlösende Nike. Fragmente von der Balustrade des Tempels. Aufgestellt im Tempel der Athena Nike, siehe FH 04392 Related objectBeziehung zu: (obj 05119251,T,001,T,016) |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Maennliche Figur, unterer Theil, 1853 Salzpapier auf Karton , 25,4 x 23,9 cm (Bild), 42,9 x 61,2 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04411, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: MAENNLICHE FIGUR / unterer Theil Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Friedliche Pallas, 1853 Salzpapier auf Karton , 27,0 x 21,0 cm (Bild), 61,2 x 42,9 cm (Blatt), Passepartoutformat: B-Format (hoch) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04412, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceLiteratureTatsachen, Köln 2006, Kat. 115, Abb. Seite 99 Hide Facts - Tatsachen. Fotografien des 19. und 20. Jahrhundertsedited by Bodo von Dewitz edited by Museum Ludwig Göttingen 2006 RBA 515/2006InscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: FRIEDLICHE PALLAS Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Friedliche Pallas, 1853 Salzpapier auf Karton , 29,0 x 23,7 cm (Bild), 61,2 x 42,9 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04413, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: FRIEDLICHE PALLAS Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie CommentaryDetails zum Motiv: Pallas Athene, eine in der Propyläenhalle aufgestellte Figur |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Verschiedene plastische Reste, 1853 Salzpapier auf Karton , 26,2 x 20,2 cm (Bild), 61,2 x 42,9 cm (Blatt), Passepartoutformat: B-Format (hoch) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04414, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceLiteratureTatsachen, Köln 2006, Kat. 116, Abb. Seite 100 Hide Facts - Tatsachen. Fotografien des 19. und 20. Jahrhundertsedited by Bodo von Dewitz edited by Museum Ludwig Göttingen 2006 RBA 515/2006InscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: VERSCHIEDENE PLASTISCHE RESTE Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie CommentaryDetails zum Motiv: Aufgemauerte Skulpturen- und Relieffragmente in der Pinakothek Related partnershipsDruck & Verlag: Königliche Hofdruckerei von C. C. Meinhold und Söhne |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Verschiedene plastische Reste, 1853 Salzpapier auf Karton , 25,8 x 12,0 cm (Bild), 61,2 x 42,9 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04415, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: VERSCHIEDENE PLASTISCHE RESTE Further information• Ikonographische Gattung: Architekturfotografie CommentaryDetails zum Motiv: Aufgemauerte Skulpturen- und Relieffragmente in der Pinakothek |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Verschiedene plastische Reste, 1853 Salzpapier auf Karton , 30,4 x 19,8 cm (Bild), 61,2 x 42,9 cm (Blatt), Passepartoutformat: B-Format (hoch) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04416, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: VERSCHIEDENE PLASTISCHE RESTE Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie CommentaryDetails zum Motiv: Aufgemauerte Skulpturen- und Relieffragmente in der Pinakothek |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Verschiedene plastische Reste, 1853 Salzpapier auf Karton , 25,3 x 19,6 cm (Bild), 61,2 x 42,8 cm (Blatt), Passepartoutformat: B-Format (hoch) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04417, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: VERSCHIEDENE PLASTISCHE RESTE Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie CommentaryDetails zum Motiv: Aufgemauerte Skulpturen- und Relieffragmente in der Pinakothek |
in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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part of the object Verschiedene plastische Reste, 1853 Salzpapier auf Karton , 30,3 x 21,4 cm (Bild), 61,2 x 42,8 cm (Blatt) Köln, Museum Ludwig, Sammlung Fotografie, Inv.-Nr. FH 04418, Ankauf 2005 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Acquisition Sammlung Agfa 2005
ProvenanceInscriptionBeischrift, Vorderseite, mittig, unterhalb des Salzpapiers auf dem Karton: VERSCHIEDENE PLASTISCHE RESTE Further information• Aufnahmeort: Athen • Ikonographische Gattung: Architekturfotografie CommentaryDetails zum Motiv: Aufgemauerte Skulpturen- und Relieffragmente in der Pinakothek |
Permalink: https://museum-ludwig.kulturelles-erbe-koeln.de/documents/obj/05119251
Dok-Nr.: obj 05119251
- Universitäts- und Stadtbibliothek Köln
- Oppenheim, August F.
- Kunst- und Museumsbibliothek
- Oppenheim, August F.
- Deutsche Nationalbibliothek
- Oppenheim, August F.
- Artlibraries.net
- Oppenheim, August F.