in the Rheinisches Bildarchiv Cologne, (rba@rbakoeln.de) Additionally analog pictures available:
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Vor dem Abendessen, [Before Dinner] 1988 Installation; painted canvas and paper, porcelain, and other materials, total 450 x 900 x 40 cm Köln, Museum Ludwig, Inv.-Nr. ML 01524, Leihgabe as of 1993 Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Loan Peter and Irene Ludwig Foundation 1993 © VG Bild-Kunst, Bonn 2023 ProvenanceLiteratureMalewitsch bis Kabakov, Köln 1993, S. 250, Farbabbildung S. 250, Kat-Nr. 570 Hide Stephan Diederich, Gerard A. Goodrow, Marc Scheps, Noemi Smolik und Evelyn Weiss, Von Malewitsch bis Kabakov. Russische Avantgarde im 20. Jahrhundert. Die Sammlung Ludwigedited by Evelyn Weiss München 1993 RBA 452/1993Unser Jahrhundert, Köln 1995, S. 269, Farbabbildung S. 208 Hide Unser Jahrhundert. Menschenbilder - Bilderweltenedited by Marc Scheps edited by Museum Ludwig Anlässlich der Ausstellung "Unser Jahrhundert, Menschenbilder - Bilderwelten" im Museum Ludwig, Köln vom 9. Juli bis 8. Oktober 1995 München 1995 KMB: !YG KÖLN 105 1995 DScheps, Chronik einer Sammlung, 1995, S. 92 Hide Marc Scheps, Chronik einer Sammlungin: In Medias Res. Festschrift zum siebzigsten Geburtstag von Peter Ludwig edited by Rainer Jacobs, Marc Scheps und Frank Günter Zehnder Köln 1995 S. 85-105 Kabakov, Totale Installation, 1995, S. 385 Köln ML, Kunst des 20. Jahrhunderts, 1996, S. 318-319.320, Farbabbildung S. 320 Kabakov, Der Text als Grundlage des Visuellen, 2000, S. 123-127, S. 322-325 (englisch), Abb. 48, S. 123, Abb. 49, S. 124 Hide Ilya Kabakov, Der Text als Grundlage des Visuellen. The Text as the Basic of Visual Expressionedited by Felix Zdenek Köln 2000 KMB: K Kabako 2 2000Köln ML, 20./21. Jahrhundert, 2018, S. 284 mit Abb. Hide Museum Ludwig. Kunst 20./21. Jahrhundert, Sammlung Malerei, Skulptur, Neue Medienedited by Yilmaz Dziewior edited by Museum Ludwig Köln 2018 Kabakov, Emilia-Kabakov, Ilya, Paris 2014, S. 88f, Farbabb. S. 88f. ExhibitionsKabakov, Graz 1988 Biennale, Venedig 1988 Kabakov, Amsterdam 1991 Malewitsch bis Kabakov, Köln 1993 Unser Jahrhundert, Köln 1995 Further information• 7 (Tafel), 42 (Zeichnung), 4 (Tischbein) |
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part of the object Vor dem Abendessen - 42 Zeichnungen 1988 Papier , 26,2 x 36,2 cm, Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/001-042, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. Provenance |
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part of the object Blatt 01 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/001, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 02 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/002, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 03 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/003, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 04 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/004, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 05 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/005, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 06 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/006, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 07 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/007, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 08 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/008, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 09 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/009, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 10 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/010, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 11 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/011, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 12 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/012, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 13 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/013, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 14 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/014, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 15 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/015, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 16 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/016, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 17 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/017, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 18 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/018, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 19 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/019, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 20 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/020, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 21 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/021, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 22 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/022, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 23 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/023, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 24 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/024, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 25 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/025, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 26 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/026, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 27 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/027, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 28 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/028, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 29 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/029, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 30 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/030, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 31 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/031, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 32 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/032, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 33 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/033, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 34 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/034, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 35 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/035, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 36 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/036, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 37 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/037, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 38 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/038, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 39 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/039, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 40 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/040, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 87r |
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part of the object Blatt 41 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/041, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
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part of the object Blatt 42 1988 Papier , Passepartoutformat: A-Format Köln, Museum Ludwig, Inv.-Nr. ML 01524/042, Leihgabe as of 1993
Hide Museum LudwigKöln, Heinrich-Böll-Platz On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art. ProvenanceInscriptionSignatur, Vorderseite (unten rechts): I. Kabakov 88r |
Permalink: https://museum-ludwig.kulturelles-erbe-koeln.de/documents/obj/05013442
Dok-Nr.: obj 05013442
- Universitäts- und Stadtbibliothek Köln
- Kabakov, Ilya
- Kunst- und Museumsbibliothek
- Kabakov, Ilya
- Deutsche Nationalbibliothek
- Kabakov, Ilya
- Artlibraries.net
- Kabakov, Ilya