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  • Reproduction-no.: rba_d048009_01
    Image credits: Rheinisches Bildarchiv Köln, Walz, Sabrina, 08.05.2018
    Iveković, Sanja, Out of : Sweet Life, Inv.-Nr. ML/F 2007/0004 I-V
  • Reproduction-no.: rba_d048009_02
    Image credits: Rheinisches Bildarchiv Köln, Walz, Sabrina, 08.05.2018
    Iveković, Sanja, Out of : Sweet Life, Inv.-Nr. ML/F 2007/0004 I-V
  • Reproduction-no.: rba_d048009_03
    Image credits: Rheinisches Bildarchiv Köln, Walz, Sabrina, 08.05.2018
    Iveković, Sanja, Out of : Sweet Life, Inv.-Nr. ML/F 2007/0004 I-V
  • Reproduction-no.: rba_d048009_04
    Image credits: Rheinisches Bildarchiv Köln, Walz, Sabrina, 08.05.2018
    Iveković, Sanja, Out of : Sweet Life, Inv.-Nr. ML/F 2007/0004 I-V
  • Reproduction-no.: rba_d048009_05
    Image credits: Rheinisches Bildarchiv Köln, Walz, Sabrina, 08.05.2018
    Iveković, Sanja, Out of : Sweet Life, Inv.-Nr. ML/F 2007/0004 I-V
  • WORK PHOTO
    Reproduction-no.: ML_F2007_0004_5
    Image credits: Rheinisches Bildarchiv Köln
    Shooting date: 2006:11:20 14:43:53
    --- Picture hidden for legal reasons. ---
    Iveković, Sanja, Out of : Sweet Life, Inv.-Nr. ML/F 2007/0004 I-V
  • WORK PHOTO
    Reproduction-no.: ML_F2007_0004_6
    Image credits: Rheinisches Bildarchiv Köln
    Shooting date: 2006:11:20 14:48:31
    --- Picture hidden for legal reasons. ---
    Iveković, Sanja, Out of : Sweet Life, Inv.-Nr. ML/F 2007/0004 I-V
  • WORK PHOTO
    Reproduction-no.: ML_F2007_0004_7
    Image credits: Rheinisches Bildarchiv Köln
    Shooting date: 2006:11:20 14:52:40
    --- Picture hidden for legal reasons. ---
    Iveković, Sanja, Out of : Sweet Life, Inv.-Nr. ML/F 2007/0004 I-V
  • WORK PHOTO
    Reproduction-no.: ML_F2007_0004_8
    Image credits: Rheinisches Bildarchiv Köln
    Shooting date: 2006:11:20 14:55:14
    --- Picture hidden for legal reasons. ---
    Iveković, Sanja, Out of : Sweet Life, Inv.-Nr. ML/F 2007/0004 I-V
  • WORK PHOTO
    Reproduction-no.: ML_F2007_0004_9
    Image credits: Rheinisches Bildarchiv Köln
    Shooting date: 2006:11:20 14:54:12
    --- Picture hidden for legal reasons. ---
    Iveković, Sanja, Out of : Sweet Life, Inv.-Nr. ML/F 2007/0004 I-V
Iveković, Sanja

Out of : Sweet Life,

[]

 1975/76

Zeitungsfotos und private Schwarzweißfotografien
, 36 x 29,2 cm
Köln, Museum Ludwig, Inv.-Nr. ML/F 2007/0004 I-V  
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Museum Ludwig

Köln, Heinrich-Böll-Platz

On 5 February 1976, husband and wife collectors Irene and Peter Ludwig donated 350 modern artworks from their collection to the city of Cologne and thus laid the foundations for the Museum Ludwig, which was to be a home for art made after 1900. 1986 saw the opening of the ‘twin museum’, which encompassed both the Wallraf-Richartz Museum and the Museum Ludwig, but already by 1994 it was decided to physically separate the two. Apart from the most extensive collection of American Pop Art outside of the USA, the Ludwigs’ donation meant that the museum received absolutely top quality works by the Russian avant-garde from the period between 1905 and 1935. In 1994 came 90 works from their Picasso holdings, followed by 774 more in 2001, meaning that the Museum Ludwig now has the third largest Picasso collection worldwide, only after Barcelona and Paris. Today the Ludwig Collection covers the major approaches in twentieth century and contemporary art.
The basis of the Ludwig Collection was unwittingly created by the Cologne lawyer Dr Josef Haubrich. In 1946 he entrusted the city with his important collection of works by the Expressionists and other representatives of 'classic' modernism. This donation was later transferred to the holdings of the Museum Ludwig.
Since 2000, the Museum Ludwig has been notably involved in collecting and presenting technical media in the contemporary art context. Since 2001 the collection has expanded in the field of contemporary art by the inclusion of key works and integral groups of pieces, and today ranks with its almost 60,580 works among the leading museums for modern and contemporary art in Europe.

http://www.museum-ludwig.de

 

currently not shown in the gallery

Literature

Köln ML, 20./21. Jahrhundert, 2018, S. 270 mit Abb.

 
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Museum Ludwig. Kunst 20./21. Jahrhundert, Sammlung Malerei, Skulptur, Neue Medien

edited by Yilmaz Dziewior

edited by Museum Ludwig

Köln 2018

Explanations for this object

Sanja Iveković frequently works with the media of photography, video, and performance. In the 1970s she was one of the first female artists of Yugoslavia who assumed a feminist stance and dealt critically with the political circumstances in her homeland. In four photographs she documented her performance Triangle. She juxtaposes a public parade honoring the Yugoslavian president Tito with the private space of her balcony. During her performance she provoked surveillance agents atop a neighboring high-rise building by drinking alcohol and pretending to masturbate, for which she was ordered to "clear the balcony of people and objects." In her series of photographs Sweet Life, Ivekovic examines the portrayal of women in the media. She combines pictures from the tabloid press that show the lives of the beautiful and the rich with personal photographs of herself. This shows how the norms and values presented by the media are taken up by women and result in social codes of behavior.



     

Permalink: https://museum-ludwig.kulturelles-erbe-koeln.de/documents/obj/05633182
Dok-Nr.: obj 05633182

 
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